Top Lots
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Ernesto Gismondi for Artemide, Seven “Mitasi” Wall Lamps, 1990s.
LThe “Mitasi” wall lamps designed by Ernesto Gismondi for Artemide in the 1990s represent a significant example of Italian lighting design, in which formal simplicity, function and quality of light are integrated…
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Venini – Murano, Large Pendant Chandelier, 1970s.
The large Venini – Murano pendant chandelier, created in the 1970s, represents a particularly striking example of Murano lighting production. In particular, the work combines a linear and rigorous structure with…
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Richard Woods for Memphis – Milan, “Crossing Chopped Stock Lamp (BIG)”, 2008.
“D“Crossing Chopped Stock Lamp (BIG)” by Richard Woods for Memphis – Milan, created in 2008, represents a meeting between the historic language of the Memphis group and the contemporary research of…
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Carlo Scarpa for Cleto Munari, 925 Silver Pitcher, Rossi&Arcandi Production, 1994.
The 925 silver pitcher designed by Carlo Scarpa for Cleto Munari and produced by Rossi&Arcandi in 1994 represents a significant example of design research applied to author’s silverware. In particular, the work…
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Michele De Lucchi for Memphis – Milan, Pair of “Riviera” Chairs, 1981.
“Riviera” by Michele De Lucchi for Memphis – Milan, designed in 1981, belongs to the most recognisable period of the Memphis group, founded in Milan at the beginning of the 1980s…
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Carlo De Carli for Sormani, Model “D 154” Chest of Drawers, 1963-1964.
“D 154” by Carlo De Carli for Sormani, created between 1963 and 1964, represents a significant example of Italian design from the second half of the twentieth century. The chest of…
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Andy Warhol (1928-1987), “Flowers”, 1964.
“Flowers” by Andy Warhol belongs to one of the most iconic series of the artist’s production of the 1960s. Created in 1964, the work dates from a crucial moment in the…
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Michelangelo Pistoletto (Biella 1933), “Girasoli”, 1970
“Girasoli” by Michelangelo Pistoletto belongs to one of the artist’s most recognisable areas of research, based on the relationship between image, space and the presence of the viewer. Created in 1970,…
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Andy Warhol (1928-1987), “Ladies and Gentlemen”, 1975.
“Ladies & Gentlemen” by Andy Warhol belongs to one of the most significant series of the artist’s production of the 1970s. Created in 1975, the series originated from a project dedicated…
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Antonio Bueno (Berlino 1918 – Fiesole 1984), “Zelda”, 1982.
“Zelda” by Antonio Bueno, created in 1982, belongs to the mature phase of the artist’s research, characterised by an essential figurative language suspended between irony, memory and a refined formal simplification.…
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Mario Schifano (Homs 1934 – Rome 1998), “Monocromo (Self-Portrait)”, 1981-1982.
“Monocromo (Self-Portrait)” by Mario Schifano, created between 1981 and 1982, is a complete portfolio comprising eight colour silkscreens on paper. The work fully belongs to the artist’s research into the relationship…
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Raimondo Rimondi (San Pietro in Casale 1922 – Bologna 2007), “Silenzio n.3: Quel giorno che…”, 1985.
“Silenzio n. 3: Quel giorno che…” by Raimondo Rimondi, created in 1985, belongs to the mature phase of the Bolognese sculptor’s research. The work develops a strongly symbolic language in which…
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Ubaldo Bartolini (Montappone 1944), “Untitled”, 1982.
“Untitled” by Ubaldo Bartolini, created in 1982, belongs to a significant phase of the artist’s research, in which landscape is interpreted through a vision suspended between direct observation and an evocative…
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Attributed to Gian Domenico Cerrini, called Il Cavalier Perugino, “Madonna and Saint Joseph”
Oil on canvas attributed to Gian Domenico Cerrini, known as Il Cavalier Perugino (Perugia 1609 – Rome 1681), depicting “Madonna and Saint Joseph”. The composition displays refined chromatic harmony and…
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Carved and gilt wood mirror, Emilia–Lombardy, 18th Century.
Carved and gilt wood mirror, Emilia–Lombardy, 18th century, with a frame decorated by pierced corner reserves set against mirrored grounds. The richly carved and gilt cresting is adorned with foliate…
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Carved and gilt wood mirror, Veneto, 18th Century.
Carved and gilt wood mirror, Veneto, 18th century, with a mercury glass plate. The moulded frame is decorated with foliate carved reserves and gadrooned mouldings, while the pierced, carved, and…
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Female Lay Figure, Marche, 18th Century.
18th-century female lay figure with a wooden body, articulated arms, and a polychrome-painted papier-mâché head and hands, raised on a lacquered wooden base. Description: H cm 116 – base H…
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Attributed to Eugenio Quarti, Sculpture Pedestal, c. 1870.
Sculpture pedestal attributed to Eugenio Quarti, in carved and gilt wood with Moorish-inspired decoration. It features a square top with a richly carved moulded border and a rectangular base fitted with…