Contemporary Art
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Abdur Rahman Chughtai (1897-1975), “Sacred stairway”.
“Sacred Stairway” by Abdur Rahman Chughtai documents an important aspect of the graphic production of the Pakistani artist. He is considered a central figure of modern art in the Indian…
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Giovanni Boldini (1842-1931), “Portrait of a Lady”.
During his long career between Ferrara, Florence, and above all Paris, Giovanni Boldini became one of the most celebrated interpreters of international portraiture between the nineteenth and twentieth centuries, producing…
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Virgilio Guidi (1891-1984), “Portrait of the Artist’s Wife”, 1928.
Created in 1928, “Portrait of the Artist’s Wife” belongs to a central phase in the research of Virgilio Guidi, one of the most important artists of twentieth-century Italian art. Born in…
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Franco Guerzoni (1948), “Untitled”.
Among the Italian artists who, beginning in the 1970s, developed an original reflection on the theme of memory and the stratification of the image, Franco Guerzoni occupies a central position.…
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Joan Miró (1893-1983), “Godalla”, 1973.
Created in 1973, “Godalla” belongs to the mature phase of the graphic production of Joan Miró, one of the leading figures of twentieth-century art. Born in Barcelona in 1893, the…
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Damian Giacov (1957-2022), “Untitled”, 2000.
“Untitled”, created in 2000, belongs to the mature production of Damian Giacov, an artist born in Belgrade who was also active for many years in Italy, particularly within the Modena artistic…
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Mattia Moreni (1920-1999), “Un’anguria americana assassinata sul campo”, 1969.
The work belongs to the series “Le calbane vecchie” and represents one of the most significant examples of the artist’s mature phase. From a formal point of view, the composition…
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Filippo De Pisis (1896-1956), “Natura morta”, 1949.
The composition of Filippo De Pisis, “Natura Morta”, develops horizontally and depicts a few everyday objects — fruit and a goblet — arranged on a surface close to a barely…
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Xavier Bueno (1915-1979), “Profile of a Girl”.
The composition presents a female profile rendered with extreme sobriety. However, it is precisely this apparent simplicity that reveals a carefully calibrated construction. The face, isolated against a neutral background,…
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Roberto Crippa (1921-1972), “Spirali”, 1950.
“Spirali” by Roberto Crippa represents a key moment in the artist’s production of the 1950s. In this work, Crippa explores the themes of movement and space through the circular form…
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Paul Jenkins (1923-2012), “Phenomena head in the Cloud”, 1984.
The work “Phenomena Head in the Cloud” by Paul Jenkins invites the viewer into a visual experience suspended between transparency and chromatic vibration. This composition belongs to the artist’s “Phenomena”…
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Roberto Crippa (1921-1972), “Sughero”, 1968-69.
The work “Sughero” (1968–69) by Roberto Crippa is an elegant abstract composition in which the artist explores the material potential of cork and collage. This phase of his production marks…
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Mario Nanni (1922-2019), “Nuclei”, 1956.
The work “Nuclei” (1956) by Mario Nanni stands as a powerful example of the artist’s mature phase. Its intense chromatic palette and layered materiality create a dense surface in which…
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André Lanskoy (1902-1976), “Untitled”, 1971.
The work “Untitled” by André Lanskoy represents one of the most intense expressions of his abstract lyrical language. The composition reveals the gestural and chromatic power for which the artist…
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Roberto Crippa (1921-1972), “Spirale”, 1951.
The work “Spirale” by Roberto Crippa represents one of the most emblematic expressions of his artistic research, developed between geometric abstraction and dynamic lyricism. Created in the years following the…
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Mario Schifano (1934–1998), “Untitled”, c. 1970s.
The work “Untitled” by Mario Schifano is an emblematic example of the artist’s constant experimental research and his ability to combine painterly gesture with conceptual language. Executed on canvas in…
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Gianni Dova (1925-1991), “Scultura”, 1972.
The work “Scultura” by Gianni Dova represents a poetic synthesis of the artist’s exploration between abstraction and figuration, expressed through a language that combines formal rigor with chromatic lyricism. Executed…
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Arman (Armand Pierre Fernandez, 1928–2005), “Brushes Collection”, 2001.
The work “Brushes Collection” by Arman (Armand Pierre Fernandez) is an iconic example of his artistic vision, centred on seriality and the transformation of everyday objects into art. In this…