Casa d'Aste - Palazzo Brazzetti

Asian Art

Chinese blue and white porcelain incense burner decorated with figural scenes, Qing dynasty, 18th century.
Seated bronze figure of Guanyin with crown and ritual vase, China, 16th century.
Pair of Chinese blue and white porcelain vases decorated with imperial dragons among clouds, Qing dynasty, early 20th century.
Pair of early twentieth-century Chinese reverse glass paintings depicting elegant court ladies in palace interiors.
Monumental Japanese Meiji period carved wooden corner cabinet decorated with dragons, animals and foliage.
Chinese blue and white porcelain vase decorated with four celestial dragons among clouds, 19th century.
Pair of nineteenth-century Japanese black lacquer panels with high-relief floral decoration in ivory, mother-of-pearl and wood.
Nepalese carved wooden Phurba ritual dagger with wrathful deity handle, late 19th to early 20th century.
Pair of porcelain vases decorated with Chinese dignitaries by Coriolano Vighi, Bologna, late 19th century.
Tibetan standing figure of Tara in bronze and copper with turquoise inlays on a lotus base, early 19th century.
Chinese Peking glass amphora-shaped vase with blue applied decoration, early 20th century.
Chinese black lacquered wooden cabinet with mother-of-pearl and ivory inlays, 20th century.
Gilt bronze figure of Padmasambhava holding a ritual bowl and vajra, Tibet, 17th century.
Burmese octagonal repoussé silver box with high-relief figural decoration and floral motifs, 19th century.
Gilt bronze figure of Sadbhuja Mahakala with six arms and ritual attributes, Tibet, 18th century.
Standing Tibetan Buddha in parcel-gilt bronze on a lotus pedestal, Qing dynasty, 19th century.
Pair of Chinese teak display cabinets with glazed upper doors, late 19th to early 20th century.
Seated gilt bronze figure of Guanyin, Ming dynasty, 17th century.
Pair of Chinese famille rose porcelain vases with powder-blue ground, birds and flowering branches, early 20th century.
Pair of Japanese lacquer wall plates decorated with roosters and birds in mother-of-pearl, ivory and wood, 19th century.
Nepalese bronze sculpture depicting a seated Buddhist deity on a throne, 18th century.
Pair of Tibetan Snow Lions in repoussé gilt copper, late 19th century.

The Asian and Tribal Art Department of Gregory’s Auction House is dedicated to the selection, study and enhancement of works from the principal artistic cultures of Asia and other non-European regions. In particular, this is a steadily growing field, supported by increasingly broad and international collecting interest. Indeed, in recent years the sector has attracted not only Asian buyers, but also a growing number of European and Western collectors.

First of all, the department’s activity is based on careful and qualified work that accompanies each object throughout every stage of the auction process: from the preliminary valuation and art-historical study to cataloguing and presentation on the market. Furthermore, particular attention is devoted to the authenticity, condition and correct contextualisation of the works, with the aim of providing clients with a reliable and transparent service. Finally, the department agrees a reserve price with the owner, defined according to the characteristics of the work and market dynamics, with the aim of protecting its value during the sale.

Likewise, the service provided by Gregory’s Auction House continues after the sale, with dedicated assistance throughout the subsequent stages. In particular, the department supports buyers with the management of documentation, requests for shipping quotations and the organisation of transport, entrusted to a network of operators specialising in works of art, with delivery available worldwide. Furthermore, the service also includes assistance with export procedures, an important aspect for works intended for international circulation.

The department covers a broad range of production, from antiquity to the period of the Republic of China. Furthermore, it includes objects from China, Japan, India, Tibet, Central Asia, Southeast Asia and the Middle East. The catalogues feature porcelain, bronzes, sculptures, objects in jade, ivory, wood and hardstone, as well as glass, enamels and furnishings. Likewise, alongside Far Eastern art, the department also devotes attention to tribal art, with ritual objects and artefacts from the Himalayan, African and Southeast Asian regions.

Within the field of Asian art, particular note should be made of works reflecting the excellence of Chinese craftsmanship from the imperial period to the early twentieth century. For example, these include a seated bronze figure of Guanyin, China, sixteenth century, sold for €4,250, and an important Chinese porcelain incense burner from the Qing dynasty (eighteenth century), sold for €6,820. Overall, these results demonstrate the strong interest in early works.

Furthermore, these are joined by a significant pair of blue-and-white porcelain vases from the Qing period, dating from the early twentieth century and sold for €3,936. Likewise, an elegant Peking glass amphora-shaped vase, dating from the early twentieth century, was sold for more than €2,337.

Alongside the decorative arts, the department has also presented objects of considerable visual impact and high-quality workmanship. In particular, these include a corner cabinet, finely carved and lacquered with figural scenes and naturalistic motifs.

Within the field of tribal art, particular note should also be made of a Nepalese wooden phurba, dating from the late nineteenth to the first half of the twentieth century. Consequently, this result confirms market interest in artefacts connected with the spiritual and ceremonial traditions of the Himalayan region.

Overall, these results confirm the interest in a field that, thanks to its variety and the dialogue between different cultures, now represents a constantly evolving sector.

Finally, over time, the acquisition of works from important collections and private holdings has enabled the auction house to develop a network of collectors active both nationally and internationally. Furthermore, the very nature of the objects handled, connected with different cultures and geographical contexts, encourages the involvement of a broad and international audience. Consequently, this generates dynamic competition at auction, capable of encouraging significant sale results in line with the works’ actual market value.

Evaluation

Would you like to know the value of your artworks and explore their potential sale on the market?

Our experts are available to provide free and confidential valuations, whether for individual works or entire collections.

You will receive qualified advice and be guided through every stage of the sale process, whether at auction or through private negotiation, with a careful and personalised service.

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