Contemporary Art
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Pino Pascali (1935-1968), “Whale Project”, 1966.
“Whale Project” by Pino Pascali is a significant testimony to the most mature and conceptual phase of the artist’s research. Executed in mixed media on cyanotype paper, the work is…
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Maurizio Cattelan (1960), “Tarzan & Jane”, 1993.
“Tarzan & Jane” by Maurizio Cattelan is among the most emblematic photographic works from the early phase of the artist’s career. Executed as a colour photographic print mounted on aluminium, the work…
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Angelo Savelli (1911-1995), “Untitled”, 1970.
“Untitled” by Angelo Savelli is a coherent and mature example of the artist’s investigation into monochrome abstraction. At first glance, the composition is based on a reduced chromatic range dominated by white,…
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Sandro Chia (1946), “Ricordo di mia madre”, 1974.
“Ricordo di mia madre” (“Memory of My Mother”) by Sandro Chia, created in 1974, belongs to an early phase of the artist’s career, preceding his full emergence as one of…
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Luigi Ontani (1943), “ErmEstEtica HarlemHarlequin”, 1996.
The work “ErmEstEtica HarlemHarlequin” (1996) by Luigi Ontani represents one of the most monumental and complex achievements of his sculptural production. The figure, in fact, takes the form of a contemporary herm, in which the…
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Luciano Minguzzi (1911-2004), “Two Figures”, 1950.
The sculpture “Two Figures” (1950) by Luciano Minguzzi constitutes one of the most significant works of the artist’s mature phase, in which his sculptural research focuses on the relationship between bodies, space and expressive tension.…
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Roberto Crippa (1921-1972), “The Spaceship of My Dreams”, 1970.
Created in 1970, The Spaceship of My Dreams represents a significant phase in the mature research of Roberto Crippa, a central artist in Italian art of the second half of the twentieth century. Compositionally,…
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Victor Vasarely (1906-1997), “Omega”, 1956.
Created in 1956, “Omega” by Victor Vasarely belongs to a crucial phase of his research, when the artist increasingly defined the visual principles that would lead to the birth of Op Art. From a…
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Giulio Turcato (1912-1995), “Broken Forms”, 1971.
Created in 1971, “Broken Forms” fully testifies to the abstract research of Giulio Turcato, a central figure in Italian art of the second post-war period and among the founders of the Forma…
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Piero Gilardi (1942-2023), “Irises and Ranunculi”, 2005.
The sculpture “Irises and Ranunculi” (2005) by Piero Gilardi represents a fully coherent example of the artist’s celebrated research on artificial nature. Since the 1960s, in fact, the Turin-born artist has been known for his…
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Cleto Tomba (1898-1987), “The Tailor”.
The sculpture “The Tailor” by Cleto Tomba is a significant polychrome terracotta that immediately conveys one of the central themes of the artist’s production: popular everyday life observed with participation and measure. From a compositional point of…
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Anton Zoran Mušič (1909-2005), “Horses”.
The watercolour “Horses” by Anton Zoran Mušič represents a significant example of his production on paper, in which the animal theme takes on a symbolic and poetic value. From a compositional point of view, the scene…
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Mario Ceroli (1938), “Mario and Daria”, 1968.
The sculpture “Mario and Daria” represents a work fully consistent with the research of Mario Ceroli, a leading figure in Italian art of the 1960s and a central figure within New Figuration and the…
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Concetto Pozzati (1935-2017), “Natura in posa per arcobaleno quasi Italiota”.
Created between 1968 and 1969, “Natura in posa per arcobaleno quasi Italiota” represents one of the most significant works of the full artistic maturity of Concetto Pozzati, a leading figure in Italian painting of…
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Carla Accardi (1924-2014), “Concentrated Sounds”, 2006.
The work “Concentrated Sounds” fits coherently within the mature phase of the research of Carla Accardi, a central figure of Italian abstraction of the second half of the twentieth century and a leading figure of…
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Mario Schifano (1934-1998), “Futurismo Rivisitato”.
The work “Futurismo Rivisitato” is fully placed within the mature research of Mario Schifano, one of the most significant protagonists of Italian art of the second half of the twentieth century. From an…
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Mario Schifano (1934-1998), “Televisore”, 1971.
“Televisore” represents one of the central and most recognizable themes of Mario Schifano’s production, namely the critical reflection on the television medium as a new icon of contemporary society. From a visual point…
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Antonio Bueno (1918-1984), “Motherhood”.
“Motherhood” by Antonio Bueno immediately represents one of the most recurring and intimate themes in the painting of the Italian-Spanish master. Born in Berlin in 1918 and active mainly between Florence and…