Contemporary Art
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Roberto Crippa (1921-1972), “Sughero”, 1968-69.
The work “Sughero” (1968–69) by Roberto Crippa is an elegant abstract composition in which the artist explores the material potential of cork and collage. This phase of his production marks…
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Mario Nanni (1922-2019), “Nuclei”, 1956.
The work “Nuclei” (1956) by Mario Nanni stands as a powerful example of the artist’s mature phase. Its intense chromatic palette and layered materiality create a dense surface in which…
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André Lanskoy (1902-1976), “Untitled”, 1971.
The work “Untitled” by André Lanskoy represents one of the most intense expressions of his abstract lyrical language. The composition reveals the gestural and chromatic power for which the artist…
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Roberto Crippa (1921-1972), “Spirale”, 1951.
The work “Spirale” by Roberto Crippa represents one of the most emblematic expressions of his artistic research, developed between geometric abstraction and dynamic lyricism. Created in the years following the…
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Mario Schifano (1934–1998), “Untitled”, c. 1970s.
The work “Untitled” by Mario Schifano is an emblematic example of the artist’s constant experimental research and his ability to combine painterly gesture with conceptual language. Executed on canvas in…
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Gianni Dova (1925-1991), “Scultura”, 1972.
The work “Scultura” by Gianni Dova represents a poetic synthesis of the artist’s exploration between abstraction and figuration, expressed through a language that combines formal rigor with chromatic lyricism. Executed…
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Arman (Armand Pierre Fernandez, 1928–2005), “Brushes Collection”, 2001.
The work “Brushes Collection” by Arman (Armand Pierre Fernandez) is an iconic example of his artistic vision, centred on seriality and the transformation of everyday objects into art. In this…
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Giovanni Frangi (1959), “Santa Giulia Alta”, 2005.
The work “Santa Giulia Alta” by Giovanni Frangi is a perfect example of the artist’s ability to merge abstraction and nature into a deeply evocative pictorial vision. In this composition,…
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Emilio Scanavino (1922-1986), “Untitled”.
The work “Untitled” by Emilio Scanavino represents one of the most intense expressions of his exploration of the relationship between sign, matter, and space. Executed with a strong gestural component,…
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Aldo Mondino (1938–2005), “Azulejo”, from the Tauromachia series, 2004.
The work “Azulejo” by Aldo Mondino represents a perfect balance between irony, culture, and tradition. The piece evokes the historic Iberian azulejo technique, reinterpreted through the conceptual wit and playful…
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Girolamo Ciulla (1952-2023), “Temple Obelisk”.
The “Temple Obelisk” by Girolamo Ciulla represents a refined synthesis of archaic memory and contemporary rigor. Carved in travertine—a material favoured by the artist for its natural texture and luminosity—the…
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Girolamo Ciulla (1952-2023), “Crocodile Obelisk”.
The work “Crocodile Obelisk” by Girolamo Ciulla represents a perfect synthesis of mythology, nature, and architecture. Carved in travertine, a material particularly favoured by the artist, the sculpture features a…
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Giorgio Tonelli (1941), “Alba in laguna”, 2016.
The work “Alba in laguna” by Giorgio Tonelli captures with remarkable precision the poetry of silence and light. In this composition, two buildings face one another symmetrically, framing a narrow…
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Pompilio Mandelli (1912-2006), “The white glove”, 1936.
The work “The white glove” by Pompilio Mandelli is an outstanding example of intimate and contemplative painting. The female figure, captured in a moment of quiet reflection, is portrayed in…
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Giorgio Tonelli (1941), “Autumn”, 2006.
The work “Autumn” by Giorgio Tonelli captures with remarkable precision the silent beauty of the urban landscape that characterizes much of the artist’s production. In this painting, Tonelli depicts an…
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René Magritte (1898-1967), “L’Oeil”, 1968.
“L’Oeil” by René Magritte is one of the most fascinating creations of the master of Belgian Surrealism, in which the act of seeing becomes a symbol of introspection and mystery,…
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René Magritte (1898-1967), “Poire et rose, planche illustrant “Les Moyens d’Existence””, 1968.
The work ““Poire et rose, plate illustrating ‘Les Moyens d’Existence”” by René Magritte encapsulates the visionary and ironic poetics of the great master of Belgian Surrealism. In this refined etching, the…
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René Magritte (1898-1967), “L’Art de vivre”, 1968.
The work “L’Art de Vivre” by René Magritte perfectly exemplifies the Belgian artist’s ability to transform the ordinary into the extraordinary, inviting the viewer to question the reality of appearances. In…